Favorite Video of the Week: Amarain


Amarain by Amr Diab

I racked my brain for days and days to identify the song on the previous video of the week’s sample. I knew it so well, like so many other Egyptian pop songs but with the exception of Ehab Tawfik, I am horrible at remembering the artists’ names. Well, I finally found the title, artist and now this video! I am easily placated and excited by such small discoveries.

A little background on this song…If it isn’t initially obvious, this tune tries to incorporate elements of Flamenco style into the arrangement. This is also reflected in the video, the dancing has Flamenco inspired hand movements and some of the dancers wear polka dots, etc. Around the time this song was popular, almost ten years ago, there was a pervasive trend of Flamenco-ish sounds into Arabic pop, most notably Spanish guitars and palmas (hand claps). I read an article once where a traditional Arab musician bemoaned the Flamenco scourge that was ruining the sound of the music. I found the statement very amusing because as a Flamenco aficionado, I am more accustomed to reading how Flamenco is being ruined by outside musical influences. Despite some unfortunate results, there is no stopping the merging, meshing and sometimes clashing of music and culture…and I am happy for it!

Favorite Video of the Week: The Embassy


You Tend To Forget-The Embassy

*The video featuring clips from The Day of the Locust has been taken down, boo! But you can see the exciting climax here.*

I’m not quite sure what’s going on in this video. Is it some kinda of Arturo Bandini fantasy of burning down Los Angeles? Is it a comment on the spectacle of Hollywood and the world of simulacrum? Are the frantic car shakers the 1920s predecessors to out of control Laker fans? Could those white-faced phantoms be the mindless consumers of vapid culture? The breathy moans that punctuate the song remind me of Jane Birkin, might it be her voice? And what’s that sample towards the end? It’s a well-known* Egyptian pop song, what in the world? Hmmmm…
Ah, I see it’s scenes taken from the movie The Day of the Locust and I’m not the only one who is asking questions about it.

The Embassy website. They are Scandinavian, it seems most of the pop music I tend to like these days is from this area of the world.
*I know the song but I could not locate the title and artist name for you all.

Favorite Video of the Week: La India


Ese Hombre by La India

I haven’t done a favorite video of the week for awhile because while I may come across many songs I enjoy listening to, I haven’t been enchanted by any of the clips I’ve been watching…until tonight.
While I admit I’m not a big fan of most current day salsa (my preference is for the 60s/70s era), I’ve always had immense love and respect for the Nuyorican singer La India. Her fierce, raw and powerful singing style blew me away from the first time I heard the song, Ese Hombre. Some of you might be familiar with this tune as it is the theme song of many a heartbroken Latina. The hombre who is the cause of all this pain and anger is berated to basically nothing.

es un gran necio
un estupido engreido
egoista y caprichoso
un payaso vanidoso
inconciente y presumido
falso malo rencoroso
que no tiene corazon

Hell hath no fury like a woman scorned especially a woman like La India. Definitely, not the kinda song you want dedicated to yourself.
I love this early clip of her and the way she can barely contain her emotions as she sings, she is so amazingly talented!


Runaway-La India (performed in a moving car!)
I also came across this other clip of her singing in the car and despite the bad sound and low production quality, her voice is able to command full attention.


I Am the Black Gold of the Sun-Nuyorican Soul (4hero remix)

La India does contribute some vocals to this musical collaboration but I mostly added it to this post because it’s one of my favorites. See, the 90s weren’t so bad!

click below for more lyrics
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Favorite Video of the Week: Naci en el Alamo


Remedios Silva Pisa-Naci en el Alamo. Extended interview in French with filmmaker Tony Gatliff following video.

Like many, I first became acquainted to this song through the movie Vengo. It plays a pivotal role in one of the scenes and the songs perfectly echoes the heartache and loss that permeates this film. After the movie was released, many folks became obsessed with finding out more information about the singer Remedios Silva Pisa. Unfortunately, not much was available except for the rumor she recorded this song at age 16. I’ve recently tried to do a bit more research on her but have had little luck beyond what others have uncovered.

I did discover the song is originally a Greek Romani song called O balamos , balamos and was originally sung in the Greek Gypsy dialect. The title of the song eventually became known as, “To tragoudi ton gyfton,” The song of the Gypsies.


Giorgos Katsaris – To tragoudi twn gyftwn(mpalamo)

Some claim the song was composed in 1992 by Dionysis Tsaknis and performed by many famous Greek singers such George Dalaras , Paschalis Terzis, Eleni Vitali , Manolis Lidakis and the composer himself. Others say the song was originally released by an unknown singer called Yorgos Katsaris.


Yasmin Levy-Naci en el Alamo

Another popular version is by the Sephardic singer, Yasmin Levy. Yasmin’s father was Itzhak Levi, director of the Judeo-Spanish program at Kol Israel (Israel National Radio) for many years. She is well-known for her bridge building work between Jews and Arabs.


Ο Mπαλαμός – Eλένη Βιτάλη/Haig Yazdjian

Another beautiful Greek version.

Lyrics:
No tengo lugar
Y no tengo paisaje
Yo menos tengo patria

Con mis dedos hago el fuego
Con mi corazon te canto
Las cuerdas de mi corazon lloran

Naci en alamo
Naci en alamo
No tengo lugar
Y no tengo paisaje
Yo menos tengo patria

Ay cuando canta(n), con tus dolores nuestras mujeres te hechizan

*Everywhere the title is “Naci en Alamo” but alamo could be the Gitano pronunciation of “Naci en el amor.”
vengo

Favorite Video of the Week: Computer Love

If I had a top one hundred song list, this would definitely be on it. Zapp and Roger’s music represents a lot of things to me, some of it related to nostalgia but also a certain positivity that existed in Los Angeles and specifically South Central during the 70s and 80s. Once in awhile I meet folks who were part of this scene and they exude a certain hopefulness, a kind of positive energy that is increasingly rare nowadays. I remember reading about some old school Los Angeles pop lockers who talked about the same thing. KDAY and Bobby Jimmy and the Critters are two examples.

Zapp and Roger were (and still are) so popular among Chicanos (and cholos) that the cancellation of one of their shows caused a riot. During one of the earlier Cinco de Mayo/Fiesta Broadway events the cops shut down a live Zapp and Roger performance when they were surprised by the size of the crowd (LA cops get nervous around large crowds). This sparked off a small disturbance which turned into a riot downtown with people running through the streets going crazy.

A funny related story, during this Fiesta Broadway/Zapp riot a friend of mine and his buddies jumped on girl’s car (their version of flirting), the cops saw and charged them with car jacking. Unbeknownst to him, this was all captured for an episode of COPS as he was later to find out when the people in the neighborhood told him “Hey, I saw you on Cops the other day!”

The recorded version of this song is preferable to the this live one but it’s pretty amazing to see Roger sing with the plastic tube stuck in his mouth. He really seems to be enjoying the performance. As many know, the times turned dark for these brothers and a tragic argument ended both of their lives.

The original version:
zapp-roger-computer-love

Favorite Video of the Week: Rembetiko


Rembetiko : Kaigomai-Kaigomai

A song scene from the 1983 Greek movie “Rembetiko” by Costas Ferris. More on Rembetika later.

English translation:
When a man is born, a sorrow is born
and when the war gets fierce, blood cannot be counted
(Chorus)
Burn, I burn, spill more oil on the fire…
Drown, I drown, throw me into a deep sea…
Burn, I burn, spill more oil on the fire…
Drown, I drown, throw me into a deep sea…
(Chorus)
I swore to your eyes, which were the Gospel to me
to turn the stab you gave me into laughter
Deep down in hell together, the chain break
and if you pull me by your side, blessed be you

Favorite Video of the Week: Explorations in Dance

My life is measured by dance parties, they are the occasions that define my time here on this planet. Such festivities sustain me through long work weeks and bureaucratic appointments. This weekend I played DJ for an impromptu gathering of people ready to bust some moves. We went from flamenco, to vallenato, to Bulgarian chalga and some banda and nortenos thrown in for good measure. The following videos are ones I’ll be watching to prepare myself for future dancing adventures.


Bulgarian gypsy – Sevgilim Apaz taifa – Mis Dibi

Luckily, one of my good friends has spent time enough time in the Balkans to have learned a few of these moves and share them with us. The rhythm in Bulgarian music is notoriously difficult to follow, add the Romani touch and man, I’m gonna need a lot of practice!
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Favorite Video of the Week: Cinema Cigani

This week I’m presenting a few clips from some of my favorite Romani* themed movies.

Clip from “Ko to tamo peva”

Ko To Tamo Peva (Who’s That Singing Over There?), 1980. Directed by Slobodan Sijan, filmed in Yugoslavia (Serbia)

From a youtube commenter: The two Gypsy musicians provide a running commentary through the film, like a Greek chorus. One of them plays an accordion and sings, while the other plays a Jew’s harp. The movie begins with them singing their recurring song, to which the refrain is “I’m miserable, I was born that way, I sing to sing my pain away, I wish Mama dear that I had but dreamt it all.” t’s about people taking a bus ride to Belgrade, just before the Second world war.

I have not seen this film and just came upon by chance when searching for other clips but it looks like the kind of film I’d be thrilled to see.
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Favorite Video of the Week: ÅŸemame hip hop


Bazid şemame hip hop (müthiş video)

Last year I did a long post on Kurdish Halay, it was one of my favorite posts to work on. I included a few clips of Semame, a fusion of traditional Kurdish music with hip hop style dancing and beats. There’s a large Kurdish population in Germany and just like with Chicanos, bi-cultural influences trickle down into everyday popular culture – for instance, this awesome Kurdish beatboxing. It’s these two girls though, that I find most impressive. They have a style, a rhythm that is so natural and makes one think that hip hop and halay have always existed together. Notice too, the little sister that tries to run up and join the dancing! Not sure of the location of this clip, Turkey perhaps?

Here’s the girls again, dancing to traditional music in semame style: