At this point, if you are still a reader of this blog, you have to know that my music tastes are sometimes not enviable. I put up any darn thing I like, I’ve always tried not to follow genres or rules. My hope is that there is at least one other person in the world that likes these songs and hopefully, that person would like to be my friend. And then me and that friend can have a dance party and jump around singing “Ramba Ho!”
Hindi+Secret Disco=Song of the Day!
So the second part of my Chalga series was gonna be on Reyhan, beautiful, beautiful Reyhan…The chola looking Gypsy/Roma singer from Bulgaria who sings in Turkish, the language of Muslim Roma in that country. Sadly, she died in 2005, in the prime of her super-stardom, the victim of a tragic auto accident. Men still weep for her on Youtube.
It’s taken me forever to write my post on Reyhan because I felt it deserved something extra special, it might be done one day…
Lime-Babe Were Gonna Love Tonight
Considering the term “Chicano Oldies” is accepted and in popular use, I’d like to create a genre called “Chicano Disco.” Some favorite examples above.
In Turn the Beat Around: The Secret History of Disco, author Peter Shapiro explains how the influence of the European musicians’ love for synthesized music fundamentally changed the essence of dance music. Whereas disco used to be based on funk, live beats and real drummers bands like Kraftwerk showed there was another way to create a rhythm. The synthesizer with it’s fake handclaps, hi-hats and bass drums helped create a whole new genre of disco music: Hi-NRG.
Hi-NRG had a huge following amongst Mexicans and Chicanos in the Los Angeles area in the 1980s. It was the musical fuel for an amazing DIY scene of DJs, backyard parties and dance clubs that ruled over large sections of the city. It’s a movement that isn’t well known outside Chicano circles in Los Angeles, back then most people could not care less what was going on in our communities.
I wasn’t part of this scene but my brother was a DJ and a member of Boyz in Kontrol, one of the hundreds, if not thousands of party crews that existed at the time. The crews were responsible for organizing parties, dance contests, DJ battles and cruising (cars) spots. While punk may get a lot of credit for being a DIY scene, the disco scene of 1980s rivaled punk in it’s “let’s organize ourselves” philosophy. Unlike punk it wasn’t a political choice, the self organization was done out of sheer necessity. Our neighborhoods offered very few forms of entertainment or diversions for youth.
Towards the late 1980s, the backyard parties started attracting the attention of the authorities, and by using the excuse of minor incidents of violence, these authorities begin to systematically shutdown and target the parties. Some involved with the scene said this heavy handedness by LAPD and the sheriffs department helped to create the revival of cholos and gangs on the Eastside. During the height of the disco scene, to be a gangster or cholo was the epitome of being uncool. Kids would snicker at the site of old veteranos riding on the bus with baggy pants like some anachronistic figure of the past. The disco scene had Latino kids going from neighborhood to other neighborhoods across the city to attend parties and to battle each other on the dance floor. The rivalries that existed and any tension were quickly diffused through dancing and partying. The violence that occasionally happened at these parties was mostly due to fights over girls/boys and the usual love dramas.
When the authorities started cracking down on the party crews and cruising, the essentially were forcing teenagers with lots of energy to stay home. And who was waiting for them? The old gangs who provided them with diversionary outlets. Many of us saw this process play out in front of our eyes. I’m not saying this was the only catalyst for the upsurge in gangs but it was a significant one and gives us a few clues to how we can deal with our current gang problem. The more you try and control youth, the greater the eruption of chaos. Young people need something to do, they have a lot of energy and excitement for their new world that cannot be bottled up and funneled into a path that adults approve of. Let the kids party!
Hi-NRG is still popular among successive generations of backyard partygoers. Go to any baptism, quinceañera, wedding or birthday party on the Eastside or in the San Gabriel Valley and there will be at least one DJ set devoted to the pantheon of Chicano Disco aka Hi NRG.
The perfect song for a hazy Sunday. I had no idea this video existed until today. I’m ecstatic! Marc Almond is one of my favorite vocalists, I was mad for his music through much of my teenage years even though my hardcore phase.
I think Marc Almond’s fan club was called Lonely Hearts.
Strangely, I have never grown tired of the music put out by the band Crass or on their label Crass Records. In fact, the music seems even more relevant and fresh today. How that came to be, I don’t know but judging by the amount of Crass songs posted to my friend’s Facebook pages, I’d say I’m not the only one.
This song by Honeybane is a good example. I’ve listened to it a hundred times and my ears would be very happy through a hundred more listens. The siren guitar that breaks into the intense rhythm bass tells you to get ready for one badass song. The sound is very Crass-ish with the military style drums (and the addition of a coconut?) but more raw sounding due to the vocal stylings of a real girl on the run. Honeybane was a runaway who found refuge in the Crass commune.
Luscious Jackson liked this song so much they sampled it on their first album.
There’s something melancholy about this song which I find immensely attractive. It’s also very British. I guess this is dance music? I think I’d rather cry than dance to this.