Secret Disco: Vinyl Love


Section 25 “Looking from a Hilltop” (Version 2)

In my life, I have loved many songs. It’s a rare occurrence but there are a few which I have loved and not known their names. Worse is when their names have disappeared from my memory causing me great consternation. How do you find them again? They are usually odd or rare tunes and even if you hummed them into a phone or something, the phone would look back at you with a great big blank stare. It would be as confused as the voice recognition prompts on automated telephones that can’t seem to understand my ‘yes’ or ‘no’ and so I’m forced to punch the corresponding buttons. So I have no one to turn to, no humming decoder or Dr. Phil DJ that will identify all the random tunes floating in my head and memory. I just wait and hope that one day the song and I will cross paths again and we’ll join each other in an aural connection, love blooming once again.

To get to my point, Looking From a Hilltop is one of those songs. I first heard it when my brother brought it home from Exodus records after a vulgar shopping spree where he dropped about a two hundred dollars (his whole life savings to that point, he was 13 years old) on imported 12-inch records in his quest to be the best South San Gabriel DJ of the 1980s. I don’t think he was as impressed with the record as much as I was. It was innovative for melding new wave vocals and aesthetics with pop-locking friendly beats. It sounded so fresh and new to my ears, I felt innovative just for listening to it. I borrowed the 12-inch for long periods of time and my brother being a bit proprietary (having spent the money to get it to our house all the way from England) eventually asked for it back. Into the crates it went, lost among the Stacey Q and Tapps records.

Every few years I’d ask my brother for “the record.” Find me the record! By then his collection had grown so large it took up most of the family garage. He would look half-heartedly but never seemed to find it. Crushed and a bit obsessed, I started to think I’d never hear the song again. As time went by, I stopped asking.

Just a few years ago, I decided to look for myself. Facing the stacks of crates holding thousands of albums it dawned on me that I’d forgotten the name and artist of the song! I did remember the bright orange sleeve and the distinctive look of the British vinyl – those details recorded somewhere in my internal jukebox. Even with this information, the search was futile, too many crates filled tight with worn records, their sleeves rolled at the edges from all those DJing nights of frantic thumbing-throughs and scraped by the rough wood as the record was plucked from the crate and thrown onto the spinning turntable. No wonder my brother wasn’t so keen on helping me find it.

So guess what happens next? I’m reading the Secret History of Disco book and he mentions Section 25 and I think to myself “Hmmm, the name sounds awfully familiar…” And so I do a Youtube search and there it is, my song! My love, I’ll never forget you again! But I must be honest, you haven’t aged all that well.


The vinyl as I remember it!


Razormaid mix

I think this is probably the version popular with the DJ set as it has a very pop-locking feel to it and none of the wimpy girl vocals.

Favorite Song of 2009: If I Had a Heart


Fever Ray – If I Had a Heart (familjen remix)

If I Had A Heart

This will never end
Cause I want more
More, give me more, give me more

This will never end
Cause I want more
More, give me more, give me more

If I had a heart I could love you
If I had a voice I would sing
After the night when I wake up
I’ll see what tomorrow brings

If I had a voice I would sing

Dangling feet from window frame
Will I ever ever reach the floor?

Crushed and filled with all I found underneath and inside
Just to come around

atm-feverray021

The original video and song in all it’s chilling and nightmarish glory.

Fever Ray’s website.

Junkanoo Festival

junkanoo
photo courtesy of NPR

As part of the Secret Disco series of posts, I included a song by the group Exuma. Unfortunately, I didn’t give much information about the track or it’s origins. Exuma is artist who hails from the Caribbean where a kind of music called Junkanoo is popular. On New Year’s Day in the Bahamas Junkanoo festivals are held. They commemorate one of the two days when Caribbean slaves were given “free days” (days when they were at liberty to sing, dance and entertain themselves without being at the beck and call of slavemasters.) The other day is December 26. Every year there are big street parties, festivals and parades to mark the occasion. The music is incredible. I’m including a couple of clips here so that you can get a sense of the festivities.

This clip is special to me because I’ve actually been on this street when I visited Nassau at age 17. It’s where I found an awesome music store and bought handfuls of cassette tapes that I still listen to till this day.

More on Junkanoo festivals from NPR.

And for a bit of fun:

Secret Disco: Girl You Need a Change of Mind


Eddie Kendricks – Girl You Need a Change of Mind

Lots of end of the year posts coming up soon. I don’t know about you but 2010 just kinda snuck up on me. I’m still surprised when people keep mentioning the “end of the decade.” Ooops, can we rewind a bit? I’m not quite ready for the new times, on the other hand, I’m so happy to say goodbye to the miserable decade behind us. My apologies to the youth who called the aughts their heyday. May you soon know a new world of pleasure and joy! Afterall, the new world is there in our hearts.

I’ll start the joy fest early with this little gem of a jam I’ve been listening to non-stop for the past few days. Another Secret Disco find. It’s the break that I love. The energy of the song slowly building up with the introduction of a earthy bassline, the tempo begins to gather steam, the falsetto gets more plaintive, the beat harder and finally releasing into a hands-in-the-air anthemic break punctuated with syncopated horns and a little bongo solo. It’s the kinda sound that inspired House music.

Here’s hoping your New Year’s Eve is filled with all kinds of boogie!

Favorite Song of the Day: Live From Xinjiang


Abdulla Abdurehim – Ata

A gorgeous song by a popular Uyghur performer.

From Wikipedia:

Abdulla Abdurehim is a singer who mixes traditional Uyghur music with pop melodies and electronic instruments, and who is probably the most well known musician from this region. He is also known as the “king of Uyghur Pop”. His song “Father” is a classical example of this type of music.[33] His music was played during the opening ceremonies of the Beijing 2008 Olympic Games.

Favorite Song(s) of the Day: Tunes of Tengri


Huun Hur Tu-Tuvan Internationale

If the Exuma song was dripping with magic, this Altai shaman song by Huun Hur Tu is drenched with it.

I’ve always had a fondness for throat singing but my curiosity never took me beyond the popular albums from Mongolia. In between disco, I’ve been listening to music from Central Asia songs made by Uyghurs, music from Xianjiang and Altai and few other Asian-Turkish influenced genres from the region. There is so much more to listen to but for now, I will leave you with these clips.


Huun Huur Tu-Dangyna

Nomads sharing music? I can hear lots of Romani style in this song.

Tengri is revered as the creator of the universe and the spirit the sky in many parts of Central Asia.

Knowing Eyes

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Esthela, 1936

This photo is of my Grandmother Jessie’s cousin, Esthela. She sent her this photo from Sonora, with a sweet inscription on the reverse. There is something about her eyes, they look very much like my grandmother’s. They are knowing.

Secret Disco: We Are Magic


Exuma-Obeah

I think Sunday is a good day to post this song because if I believed in the sacred, this song would be it. This music is what religion should be: visceral, calling to a power outside and within oneself. It is dripping with magic.

A couple of months ago I traveled to Guanajuato, MX with friends and through one of these friends, met the drummer for the only punk rock band in the city. We spent the night chatting in this cave-like bar filled with hip youth from the nearby college. It was a warm, gothic-y place lined with red velvet wallpaper and playing the latest indie tunes from around the world. The energy of this punk rock guy, appropriately nicknamed Godzilla or Godzi for short, was intense and heavy. So looming was his presence that his entrance into the bar caused the students sitting around us to look nervously over their shoulders. He could make the rock walls of the building we were sitting in feel threatened, so formidable was his presence.

With a beer in hand he began to tell one story after another, breathlessly, continuously, hours passing quickly, each story revealing his wry sense of humor and unexpected wisdom. Finally, in a rare pause of the conversation, I asked him if he’d ever been to Veracruz. His eyes glowed for a moment, remembering. He said in Spanish: Yes, that is a beautiful city, full of magic. Magic? I asked, Real magic? Not magical? Magic, he says. There is magic in the earth there, it is a special place. Different cities in Mexico contain all kinds magic, some places it is stronger. For instance, near Leon there is a town which is very dark, there is bad magic there. You don’t want to visit this pueblo…but I go occasionally. A small moment of silence passes and he grins, leaving me to wonder what he does in the bad magic pueblo. Then his words rumbled off into a subterranean place of slurred speech and I sank back against the crumbling rock walls wondering how long the night lasts in Guanajuato.
I immediately thought of this story when I heard first heard this song, there is magic here. It is up to you to decide what kind of magic it contains.

I got the voices of many in my throat
the feet of a frog and
the tail of a goat

According to book The Secret History of Disco and comments left on the Youtube page for this tune, this song was popular at early disco clubs in New York. It was part of a musical trend that included other African inspired music like Babatunde Olatunji.